Dublin no events posted in last week
Interested in maladministration. Estd. 2005
RTEs Sarah McInerney ? Fianna Fail supporter? Anthony
Joe Duffy is dishonest and untrustworthy Anthony
Robert Watt complaint: Time for decision by SIPO Anthony
RTE in breach of its own editorial principles Anthony
Waiting for SIPO Anthony Public Inquiry >>
A Blog About Human Rights
UN human rights chief calls for priority action ahead of climate summit Sat Oct 30, 2021 17:18 | Human Rights
5 Year Anniversary Of Kem Ley?s Death Sun Jul 11, 2021 12:34 | Human Rights
Poor Living Conditions for Migrants in Southern Italy Mon Jan 18, 2021 10:14 | Human Rights
Right to Water Mon Aug 03, 2020 19:13 | Human Rights
Human Rights Fri Mar 20, 2020 16:33 | Human Rights Human Rights in Ireland >>
News Round-Up Fri Apr 26, 2024 00:42 | Richard Eldred A summary of the most interesting stories in the past 24 hours that challenge the prevailing orthodoxy about the ?climate emergency?, public health ?crises? and the supposed moral defects of Western civilisation.
The post News Round-Up appeared first on The Daily Sceptic.
Lockdown?s Impact on Children to Last Well into 2030s, Says LSE Report Thu Apr 25, 2024 20:00 | Will Jones Children who started school during the pandemic will have worse exam results well into the next decade after losing six crucial months of learning, a new report from the London School of Economics has found.
The post Lockdown’s Impact on Children to Last Well into 2030s, Says LSE Report appeared first on The Daily Sceptic.
A.V. Dicey Did Not Foresee the Gender Recognition Act Thu Apr 25, 2024 18:00 | Dr James Alexander When Dicey summarised the principle of parliamentary sovereignty he wrote: "Parliament can do everything but make a woman a man and a man a woman." Alas, thanks to the European Court of Human Rights, that's no longer true.
The post A.V. Dicey Did Not Foresee the Gender Recognition Act appeared first on The Daily Sceptic.
My BBC Complaint About Chris Packham?s Daily Sceptic Slur Thu Apr 25, 2024 15:52 | Toby Young Last Sunday, Chris Packham made a false and defamatory allegation on the BBC about the team behind the Daily Sceptic, claiming they had "close affiliations to the fossil fuel industry". The BBC then signal-boosted it. ?
The post My BBC Complaint About Chris Packham?s Daily Sceptic Slur appeared first on The Daily Sceptic.
Another Clue Pointing to an American Origin of the Virus Thu Apr 25, 2024 14:18 | Will Jones It's increasingly clear the virus leaked from a lab in Wuhan. But could it have been made in the USA? Will Jones suggests the behaviour of the Chinese Government before and after the sequence was published gives us a clue.
The post Another Clue Pointing to an American Origin of the Virus appeared first on The Daily Sceptic. Lockdown Skeptics >>
Voltaire, international edition
Israel's complex relations with Iran, by Thierry Meyssan Wed Apr 24, 2024 05:25 | en
Iran's hypersonic missiles generate deterrence through terror, says Scott Ritter... Mon Apr 22, 2024 10:37 | en
When the West confuses Law and Politics Sat Apr 20, 2024 09:09 | en
The cost of war, by Manlio Dinucci Wed Apr 17, 2024 04:12 | en
Angela Merkel and François Hollande's crime against peace, by Thierry Meyssan Tue Apr 16, 2024 06:58 | en Voltaire Network >>
|
Dublin - Event Notice Thursday January 01 1970 Screening of 'Reaching for the Moon' (2013)
dublin |
arts and media |
event notice
Saturday April 01, 2017 12:25 by Dublin Film Qlub
Season 7 of the Dublin Film Qlub, 'ADAPTATIONS, continues with... ........
REACHING FOR THE MOON
=adaptation of the biographical novel Rare and Commonplace Flowers,
by Carme Oliveira, of 2001=
(Dir. Bruno Barretto, 2013)
English
cast: Miranda Otto, Gloria Pires, Tracy Middendoft
………………………………………………………
Saturday 15 April 2017
2:30 pm.
(doors open at 2pm)
The New Theatre
Temple Bar
Dublin 2
Day Membership: €8
(free tea, coffee, and biscuits)
Inline image 1
........................................................
“This book is based on real and written testimony. Any resemblance with persons living or dead is intentional.”
---Carme Oliveira, in the opening page of Rare and Commonplace Flowers (2001)
.............
The film is adapted from Carme Oliveira’s accomplished biographical novel 'Rare and Commonplace Flowers', about the pulitzer-winning american poet Elizabeth Bishop and her partner of sixteen years, the Brazilian powerhouse architect and planner Lota de Macedo Soares. Bruno Barreto, a Brazilian director with a Hollywood sensibility, was contacted by the producers and handed the book, but he did not find it interesting enough, until he realised he could organise the material around a triangular relationship barely hinted at in the original text. Mary Morse, Lota’s ex-partner, gets about ten lines in the book, but Barreto created whole scenes for her, and gave her a pivotal role in plot developments.
Lota was part of the intellectual, artistic, and economic elite in Brazil of the mid-20th century, a gregarious and confident woman, and she offered the introverted, insecure, and alcoholic poet a safeconduct into another kind of life. Lota also built a stunning studio for Bishop, next to her own experimental modernist house on the edge of the jungle, and ‘Dona Elisabetchy’ wrote some of her best work there. Lota’s all-consuming creative energy and Bishop’s regular shipwreck-in-a-bottle setbacks, meant that the couple was constantly under pressure.
But the destructive relationship that finally shook up the two women, was Lota’s doomed affair with Flamingo Park, a pharaonic project to create the best park in history, in Rio de Janeiro. Lota conceived and directed the plans to turn a rubble dump into a park with a ‘City of Children’, a ring for model airplanes, a dance-floor, a puppet theatre, art and education pavilions, sports fields, and a beach. She fought bureaucrats and politicians like a lioness to upheld her utopian vision, as the book minutely records (without ever getting dull). Instead of this background, the film presents Bishop as Lota’s doomed once-in-a-lifetime project, and spices the story up with a few ‘hot’ scenes (absent from the book), cliched shots, and a bland sell-able title. And yet, the plot works, the actors shine, the cinematography breathes, and enough goodness remains to leave you in awe of these two women and their achievements.
-----------
© Dublin Film Qlub 2017
You are welcome to reproduce this material, but we request that you acknowledge the source.
--
Dublin Film Qlub
http://www.filmqlub.com
|