Upcoming Events

National | Arts and Media

no events match your query!

User Preferences

  • Language - en | ga
  • text size >>
  • make this your indymedia front page make this your indymedia front page

Blog Feeds

The Saker
A bird's eye view of the vineyard

offsite link Where Did the Russian Portfolio of American Bonds Disappear To? Mon Jun 18, 2018 21:05 | The Saker
By Ivan Danilov Translated by Ollie Richardson & Angelina Siard cross posted with http://www.stalkerzone.org/where-did-... source: https://ria.ru/analytics/2018... Practice shows that there are three topics connected to Moscow that attract genuine attention, and

offsite link Moveable Feast Cafe 2018/06/18 ? Open Thread Mon Jun 18, 2018 14:30 | Herb Swanson
2018/06/18 13:30:01Welcome to the ‘Moveable Feast Cafe’. The ‘Moveable Feast’ is an open thread where readers can post wide ranging observations, articles, rants, off topic and have animate discussions of

offsite link East Med Sitrep May ? June 2018 Sun Jun 17, 2018 22:09 | The Saker
by Kakaouskia for The Saker Blog Greetings to the Saker community and readers. Cyprus: Reports in the press show that the Cypriot government has signed an agreement with France for

offsite link Russians are much admired and Putin is loved by the Chinese, for good reasons Sun Jun 17, 2018 21:30 | The Saker
by Jeff J. Brown for The Saker Blog Crosslinked with: http://chinarising.puntopress.com/201... https://youtu.be/txVSSlfUD6o https://soundcloud.com/44-days/russia... Looking back at the rocky, mutually suspecting and disrespecting relations between Russia?s and China?s leaders, 1917-2000, this

offsite link Rostislav Ishchenko ? Seven Against Eight or 2+2=3 Sun Jun 17, 2018 01:24 | The Saker
by Rostislav Ishchenko Translated by Ollie Richardson and Angelina Siard cross posted with http://www.stalkerzone.org/rostislav-... source: http://alternatio.org/articles/articl... On June 9th-10th, the G7 summit was held in Quebec and the Shanghai Cooperation

The Saker >>

Cedar Lounge
For lefties too stubborn to quit

offsite link Reading the referendum result? 12:18 Mon Jun 18, 2018 | WorldbyStorm

offsite link How delayed could legislation to allow abortion provision be? 10:19 Mon Jun 18, 2018 | WorldbyStorm

offsite link Left Archive: The Struggle for Socialism Today: A 1999 document by the Socialist Party in Ireland 03:31 Mon Jun 18, 2018 | WorldbyStorm

offsite link Aer Lingus?s first 707 in 1964 14:28 Sun Jun 17, 2018 | WorldbyStorm

offsite link A new weekend Poll ? no boost post-referendum for anyone? 09:36 Sun Jun 17, 2018 | WorldbyStorm

Cedar Lounge >>

Dublin Opinion
Life should be full of strangeness, like a rich painting

offsite link Some Thoughts on the Brexit Joint Report 11:50 Sat Dec 09, 2017

offsite link IRISH COMMONWEALTH: TRADE UNIONS AND CIVIL SOCIETY IN THE 21ST CENTURY 14:06 Sat Nov 18, 2017

offsite link Notes for a Book on Money and the Irish State - The Marshall Aid Program 15:10 Sat Apr 02, 2016

offsite link The Financial Crisis:What Have We Learnt? 19:58 Sat Aug 29, 2015

offsite link Money in 35,000 Words or Less 21:34 Sat Aug 22, 2015

Dublin Opinion >>

Russia Exposed in The National Concert Hall

category national | arts and media | news report author Friday October 26, 2012 12:26author by Seán Crudden - imperoauthor email sean at impero dot iol dot ieauthor address Jenkinstown, Dundalk, Co. Louthauthor phone 0879739945 Report this post to the editors

Superlative Performance of a Super Program

Well it is a daunting task for a simple punter like me to attempt to write about Wednesday night's performance in The National Concert Hall by the Gewandhausorchester Leipzig; directed by Riccardo Chailly, Gewandhauskappellmeister; with Lynn Harrell, cello. The concert opened with Shostakovich, Cello Concerto No. 2 in G, Opus 126. Rachmaninov Symphony No. 2 in E minor, Opus 27, was given after the interval. For me it was a once-in-a-lifetime event, the best orchestral concert I ever attended.

Lynn Harrell set the tone. Even when the orchestra was at its most dramatic and loudest the music retained its buoyancy and a light touch.

Reading the program and listening to the concerto a few thoughts struck me about Shostakovich. One is conscious of something coming, as it were, from outside. Mute forces drawn up in the darkness outside pressing on the individual. Or in retreat. It is a sort of paranoia. Something one cannot pin down but which everyone understands. I do not think Shostakovich was taunting authority in his music but there is definitely something provocative there which is not totally humourless. That is probably the reason why, at times, Shostakovich was seen as a musical untouchable in his native home. But it really is the trick of a supreme storyteller. Shostakovich, I think, and many other Russian artists of the Stalinist period were cultivated, sensitive, and extremely intelligent. Oistrakh is another that springs to mind. Appearances can be deceptive.

However there is no equivocation about Chailly's appearance. He is a fine figure of a man in his prime, athletic and obviously built to be a conductor.

In the symphony things in my estimation did not come from the outside in; they came from the inside out. One was simply conscious of the orchestra and music. Because of the unusual disposition of the orchestra and even though I had a good view from one of the best seats in the house on The Yellow Balcony I could not always decipher quickly where the music was coming from. However the over-riding impression I had was that the music was coming from the dead centre of the orchestra. "Did I hear it? Or was it imagination or what?" is what Red Jack Fedigan's housekeeper used to say to my mother about sounds she used to hear in the night. From a purely scientific point of view my impression was possibly caused by some kind of miracle of timing.

Related Link: http://imperodotorg.wordpress.com/
© 2001-2018 Independent Media Centre Ireland. Unless otherwise stated by the author, all content is free for non-commercial reuse, reprint, and rebroadcast, on the net and elsewhere. Opinions are those of the contributors and are not necessarily endorsed by Independent Media Centre Ireland. Disclaimer | Privacy