User Preferences

  • Language - en | ga
  • text size >>
  • make this your indymedia front page make this your indymedia front page

Blog Feeds

forward

Cedar Lounge
For lefties too stubborn to quit

offsite link That apology over the UKIP song? 22:20 Wed Oct 22, 2014 | WorldbyStorm

offsite link A spot of bother over the Technical Group and some apparently unwelcome new arrivals 17:33 Wed Oct 22, 2014 | WorldbyStorm

offsite link A government called hope? 11:31 Wed Oct 22, 2014 | WorldbyStorm

offsite link What you want to say ? 22nd October 03:53 Wed Oct 22, 2014 | WorldbyStorm

offsite link SF, the IRA and another legacy of the conflict. 19:12 Tue Oct 21, 2014 | WorldbyStorm

Cedar Lounge >>

Dublin Opinion
Life should be full of strangeness, like a rich painting

offsite link Irish Labour movement 1889-1924: Lecture Five - 1913 Lockout 09:47 Fri Oct 17, 2014

offsite link Global Finance, Money and Power: Lecture Six - Tax Havens 07:09 Thu Oct 16, 2014

offsite link Irish Labour Movement 1889-1924: Tutorial - Erin?s hope & Class in Ireland 13:44 Mon Oct 13, 2014

offsite link Irish Labour Movement 1889-1924: Lecture Four - Jim Larkin and Larkinism 09:15 Fri Oct 10, 2014

offsite link Global Finance, Money and Power: Lecture Five - Market Institutions 19:48 Wed Oct 08, 2014

Dublin Opinion >>

Irish Left Review
Joined up thinking for the Irish Left

offsite link The Changing Pattern of Foreign Investment in China Wed Oct 22, 2014 13:36 | John Ross

offsite link Welcome to the New Tax Avoidance Scheme, Same as the Old Tax Avoidance Scheme Mon Oct 20, 2014 16:26 | Michael Taft

offsite link Revealed: EU science chief promised to be ?flexible? towards Israel?s war crimes Thu Oct 16, 2014 15:21 | David Cronin

offsite link Austerity is Over? Now Back to the Real World Wed Oct 15, 2014 17:21 | Michael Taft

offsite link A New Kind of Trade Unionism Emerging Wed Oct 15, 2014 16:24 | Irish Left Review

Irish Left Review >>

Human Rights in Ireland
www.humanrights.ie

offsite link The Extraordinary Synod in Rome. Will it bring extraordinary times? Wed Oct 22, 2014 07:09 | GuestPost

offsite link A new Constitutional Settlement for Northern Ireland: Queries from International Law Mon Oct 20, 2014 10:27 | Aoife O'Donoghue

offsite link Why Budget 2015 must be that last of its kind Fri Oct 17, 2014 08:36 | Liam Thornton

offsite link Socio-Economic Rights & Budget Analysis: Some Notes on Available Resources, ?Progressivity? and Non... Thu Oct 16, 2014 11:55 | Liam Thornton

offsite link Legal pathways to reproductive justice and abortion rights #repealthe8th Mon Oct 13, 2014 15:00 | GuestPost

Human Rights in Ireland >>

Russia Exposed in The National Concert Hall

category national | arts and media | news report author Friday October 26, 2012 12:26author by Seán Crudden - imperoauthor email sean at impero dot iol dot ieauthor address Jenkinstown, Dundalk, Co. Louthauthor phone 0879739945 Report this post to the editors

Superlative Performance of a Super Program

Well it is a daunting task for a simple punter like me to attempt to write about Wednesday night's performance in The National Concert Hall by the Gewandhausorchester Leipzig; directed by Riccardo Chailly, Gewandhauskappellmeister; with Lynn Harrell, cello. The concert opened with Shostakovich, Cello Concerto No. 2 in G, Opus 126. Rachmaninov Symphony No. 2 in E minor, Opus 27, was given after the interval. For me it was a once-in-a-lifetime event, the best orchestral concert I ever attended.

Lynn Harrell set the tone. Even when the orchestra was at its most dramatic and loudest the music retained its buoyancy and a light touch.

Reading the program and listening to the concerto a few thoughts struck me about Shostakovich. One is conscious of something coming, as it were, from outside. Mute forces drawn up in the darkness outside pressing on the individual. Or in retreat. It is a sort of paranoia. Something one cannot pin down but which everyone understands. I do not think Shostakovich was taunting authority in his music but there is definitely something provocative there which is not totally humourless. That is probably the reason why, at times, Shostakovich was seen as a musical untouchable in his native home. But it really is the trick of a supreme storyteller. Shostakovich, I think, and many other Russian artists of the Stalinist period were cultivated, sensitive, and extremely intelligent. Oistrakh is another that springs to mind. Appearances can be deceptive.

However there is no equivocation about Chailly's appearance. He is a fine figure of a man in his prime, athletic and obviously built to be a conductor.

In the symphony things in my estimation did not come from the outside in; they came from the inside out. One was simply conscious of the orchestra and music. Because of the unusual disposition of the orchestra and even though I had a good view from one of the best seats in the house on The Yellow Balcony I could not always decipher quickly where the music was coming from. However the over-riding impression I had was that the music was coming from the dead centre of the orchestra. "Did I hear it? Or was it imagination or what?" is what Red Jack Fedigan's housekeeper used to say to my mother about sounds she used to hear in the night. From a purely scientific point of view my impression was possibly caused by some kind of miracle of timing.

Related Link: http://imperodotorg.wordpress.com/
© 2001-2014 Independent Media Centre Ireland. Unless otherwise stated by the author, all content is free for non-commercial reuse, reprint, and rebroadcast, on the net and elsewhere. Opinions are those of the contributors and are not necessarily endorsed by Independent Media Centre Ireland. Disclaimer | Privacy